Canto VI: The Heartbreaking/Story Episodes/Part III
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<— Part II|
6-35: Ticking Sounds
Pre-Battle
| Speaker | Dialogue | |
|---|---|---|
|
|
Researcher |
W-we gotta run! |
|
|
Heathcliff, The Heartbroken |
……. |
|
|
ISHMAEL |
He's killing everyone… the researchers, the Dead Rabbits, even people trapped in the glass pods… |
|
|
DANTE |
<If we were to get in his way…> |
|
|
OUTIS |
Yes, Executive Manager. He will not hesitate to attack us as well. |
|
|
DANTE |
<Even so… > |
|
|
DANTE |
<We have to bring him back.> |
Post-Battle
6-36: Isabella
| Speaker | Dialogue | |
|---|---|---|
|
|
ISHMAEL |
You guys might want to come take a look at this… |
|
|
ISHMAEL |
Look at the corpse of the Dead Rabbits boss we defeated earlier. |
|
|
ISHMAEL |
This… isn't Heathcliff from the other world. I don't think we've ever seen this person before. |
|
|
Nelly |
Heavens, this is…! |
|
|
HEATHCLIFF |
I know her. |
|
|
Nelly |
Miss Isabella, how… how could this…! |
|
|
DANTE |
<Isabella?> |
|
|
HEATHCLIFF |
Isabella Edgar… Linton's younger sister. She came by this manor a few times along with Linton. |
|
|
DANTE |
<They overwrote Linton's sister… with Heathcliff's Identity…?> |
|
|
HEATHCLIFF |
He wasn't even real… We lost him. |
|
|
DANTE |
<… This technology they're using to summon Identities… it's definitely a lot like our own.> |
|
|
YI SANG |
……. |
|
|
MEURSAULT |
There have been a total of four separate instances of lightning strikes. |
|
|
MEURSAULT |
The most logical course of action, from the perspective of our company… |
|
|
MEURSAULT |
… would have been to wait until the Golden Bough becomes available to us. Just as Linton had suggested earlier. |
|
|
HEATHCLIFF |
What, hide in the barn and wait for the seventh strike of lightning like cowards? |
|
|
HEATHCLIFF |
What a helpful lot you are. Thank you kindly for your words of encouragement. You know what? We should've done that from the start… It was foolish of me to even— |
|
|
MEURSAULT |
… Allow me to finish, Heathcliff. I am beginning to feel the need to practice hastening my speech. |
|
|
MEURSAULT |
We have experienced consistent escalation of risk merely by moving about the manor. Moreover, it is growing increasingly difficult to ensure Heathcliff's safety. |
|
|
MEURSAULT |
Therefore, in conclusion… |
|
|
MEURSAULT |
… I judged that we may have to stop the lightning from striking. |
|
|
MEURSAULT |
Even if that decision leads to our failure to obtain the Golden Bough. |
|
|
OUTIS |
Agreed… |
|
|
OUTIS |
It never appeared that the lightning strikes were a result of natural phenomena. It always struck at the most dramatic moments. Always on a certain trigger, killing the manor's power without fail. |
|
|
GREGOR |
Okay, let's think about this. Let's think about the circumstances… |
|
|
GREGOR |
… surrounding each strike of lightning. |
|
|
ISHMAEL |
First one was… yeah, at the funeral. |
|
|
ISHMAEL |
When they were reading Catherine's will… |
|
|
RODION |
No, we can get a bit more specific than that. |
|
|
RODION |
It was when Heath called out Catherine's name. |
|
|
SINCLAIR |
The second one… |
|
|
SINCLAIR |
… was when Linton said something hurtful to Heathcliff. All that verbal abuse… |
|
|
YI SANG |
The third was when Hindley drew his last breath. And… |
|
|
Linton |
Thus all is ruined… |
|
|
Linton |
Isabella… my dearest sister. |
|
|
Linton |
So this is how our reunion was to be. It feels like it was just yesterday that you left our home without a word… |
|
|
ISHMAEL |
You didn't even write to each other? |
|
|
Linton |
She did send me a few childish letters. That she'd met her fated partner… That she's found true love. But she couldn't possibly introduce me to this person, as I would surely refuse to give my blessings… |
|
|
HEATHCLIFF |
You… |
|
|
HEATHCLIFF |
Do you even understand what you've done? |
|
|
Linton |
I merely follow the path laid before me. |
|
|
Linton |
… The lightning has struck four times. |
|
|
GREGOR |
Yeah, we know. We know how to count, y'know… |
|
|
OUTIS |
Executive Manager… I can tell from the way that man is speaking… |
|
|
OUTIS |
… that he may know the conditions that trigger the lightning strikes. |
|
|
Linton |
Lightning strikes… |
|
|
Linton |
Each strike of lightning is a blessing… |
|
|
Linton |
For it signifies that you have a place in her heart. |
|
|
Linton |
I lied to you, Heathcliff. |
|
|
Linton |
Our marriage… was never happy. |
|
|
Linton |
But I have spent my entire life struggling to earn a place in her heart. |
|
|
Linton |
Knocking and knocking so that she would let me in. |
|
|
Linton |
Yet there was nothing. She never once gave me an answer. Even now, she remains silent. |
|
|
YI SANG |
Linton. |
|
|
YI SANG |
Nothing… none of that justifies the atrocity that you have committed in building this abominable laboratory. |
|
|
Linton |
……. |
|
|
MEURSAULT |
I have given some thought as to how so many people could disappear without leaving a shred of evidence. |
|
|
MEURSAULT |
It cannot be said that gangs kidnapped them by force, for there were no signs of resistance. |
|
|
MEURSAULT |
There have also been cases of simultaneous disappearances. Sometimes, even entire families would disappear all at once. |
|
|
RODION |
You actually read… the whole article? |
|
|
MEURSAULT |
Then, it can be reasoned that they weren't taken against their will. It would be more believable to say that they followed their would-be kidnappers willingly. |
|
|
Linton |
……. |
|
|
ISHMAEL |
Which means… the kidnapper was someone well-known. Someone with a decent reputation. |
|
|
ISHMAEL |
What, did you offer them a job at the manor? Promise to treat them to a nice meal or something? |
|
|
Linton |
……. |
|
|
YI SANG |
An experiment to 'produce a human', or so it was called. |
|
|
YI SANG |
Yet I cannot imagine a single human being for whom these heinous experimentations, all this sacrifice, this suffering… would have been worth it for. |
|
|
Nelly |
Master Linton, even if it was Miss Catherine who asked you to do this, this is too— |
|
|
HEATHCLIFF |
… What? |
|
|
Nelly |
Oh…! |
|
|
HEATHCLIFF |
Catherine… she asked you to do all this? No, that's… impossible. |
|
|
Linton |
Yes. I will not deny that everything was by Catherine's request. But it was by my will that every one of her requests were carried out to the letter. |
|
|
HEATHCLIFF |
I'm asking you why— |
|
|
Linton |
The 'why' never mattered to me. So I never asked her. |
|
|
Linton |
All I ever cared about was endlessly endeavouring to carry out her wishes, to do as I was told. |
|
|
ISHMAEL |
Yeah, still… why? With your family's wealth, you could've just lived out the rest of your days in complete luxury with money to spare. So why… |
|
|
YI SANG |
Should T Corp. be made aware of what has transpired here… |
|
|
YI SANG |
… you may be subject to a high degree of punishment, even if your family name were to mitigate it. |
|
|
Linton |
You ask me why? Is it not obvious? |
|
|
Linton |
Because I loved Catherine. Ever since the moment I laid my eyes upon her, to this very day. I have spent every single moment of my life pining for her. |
|
|
ISHMAEL |
You're just desperately begging for her affection, blinded by your own obsession… |
|
|
Linton |
Speak ill of me as you will. I care not. |
|
|
Linton |
Because my joy comes from what morsel of affection she spared me. |
|
|
Linton |
So… you have no idea how much I envied you, Heathcliff. |
|
|
HEATHCLIFF |
You envied… me? You? |
|
|
Linton |
Even in her youth, when I would come to spend time with Catherine at this manor… |
|
|
Linton |
She would always ask me the same question. |
|
|
Linton |
"I wonder where Heathcliff has gone to? I wish he was here." |
|
|
Linton |
Of course, you must have been hiding from her. For you could not bear the sight of us. |
|
|
Linton |
And believe it or not, it was not I who burned your letters. |
|
|
Linton |
In truth, I would have delivered them to her myself had I had my hands on your letters. Because that was how desperately Catherine was waiting for your news. |
|
|
Linton |
Once you left, Catherine… she shut herself off in her room, refused to eat, and withered away. |
|
|
Linton |
Gazing into a mirror, day and night… until one day, she calmly emerged from that very room and asked me for my hand. |
|
|
HEATHCLIFF |
A mirror… |
|
|
HEATHCLIFF |
… She mentioned the same thing in the diary. That she saw herself in the mirror. |
|
|
Linton |
Yet we kept no mirrors at the manor we lived. |
|
|
Linton |
The mirror she looked into was, according to her, a gift. |
|
|
HEATHCLIFF |
… A gift from who? |
|
|
Linton |
If you would like to know what she saw in that mirror, what it was that she saw that prompted her to ask to marry me… |
|
|
Linton |
… Why don't you ask the diary yourself? |
|
|
Linton |
Ask that old diary that remains in obstinate silence before me. |
6-37: Lightning Rod
Pre-Battle
| Speaker | Dialogue | |
|---|---|---|
|
|
GREGOR |
… You're going to fight us? In your state? |
|
|
Linton |
If you seek to disturb this experiment… then it falls to me to stop you. |
|
|
HEATHCLIFF |
What are you even looking to gain from this? By going this far? |
|
|
Linton |
The same thing as always. I love Catherine, so I shall do as she wills me to. |
|
|
Linton |
So that I may enter her room. I dare not wish to become a master of it; I merely wish that she would let me in… |
|
|
Linton |
I wish that the sight of an opened door, that little gesture, would be more than enough. |
|
|
Linton |
The thunder of every lightning that struck the manor… |
|
|
Linton |
… was the sound of her breaking heart. |
|
|
HEATHCLIFF |
…! |
|
|
Linton |
With every heartbreak, the lightning strikes. The pain, the bereavement, the shock… are all manifest as lightning, then darkness… |
|
|
Linton |
Thus, the lightning only indicates that the person in question was so important to her… |
|
|
DANTE |
<Heathcliff, I think…> |
|
|
DANTE |
<Nelly was right.> |
|
|
DANTE |
<Catherine's still alive…> |
Post-Battle
6-38: The Wild Hunt
Pre-Battle
6-39: The Wild Hunt 2
Pre-Battle
| Speaker | Dialogue | |
|---|---|---|
|
|
HEATHCLIFF |
Fuck… fuck! |
|
|
HEATHCLIFF |
When I left this manor by my own volition, I… |
|
|
HEATHCLIFF |
… I promised to myself that I would return a changed man. |
|
|
HEATHCLIFF |
So that I could at least stand proud before Catherine. So that she won't be embarrassed of me. |
|
|
HEATHCLIFF |
But… look at me. I couldn't protect her in the end. I can't even get nearer to her or hold my weapons proper, like an idiot. |
|
|
DANTE |
<Heathcliff…> |
|
|
HEATHCLIFF |
I know. I know that I don't… I know that I don't have anything to show for in my life. |
|
|
HEATHCLIFF |
I ain't educated. I've got a short fuse and a brutish personality. |
|
|
HEATHCLIFF |
Tell me, Clockhead… no, Manager. |
|
|
HEATHCLIFF |
This endless, overwhelming flood… Is this what it's like to face my sins? |
|
|
HEATHCLIFF |
Was my life so wretched that I deserve to suffer this endless swarm of sins? |
|
|
MEURSAULT |
There's… more of them. |
|
|
MEURSAULT |
They number greater than the last. |
|
|
DANTE |
<What should I…> |
6-41: Impenetrable Path
Mid-Battle
| Speaker | Dialogue | |
|---|---|---|
| [Heathcliff loses a Clash against a Peccatulum Irae??. Just as it prepares to bring its claw down on Heathcliff…] | ||
|
|
when you no longer know which road to take… | |
| [Vergilius appears on scene, defeating the Peccatulum in the blink of an eye.] | ||
|
|
||
|
|
||
|
|
DANTE |
<…Vergilius?> |
|
|
RODION |
Woah… Am I seeing things? Guys, is it just me, or is that…? |
|
|
DON QUIXOTE |
S-Sir Vergilius… Most illustrious Color…! |
|
|
DON QUIXOTE |
My deepest apologies, for mine alertness is not as keen as it oft is. Could this be a dream…? Is it truly thee? May I pinch thy cheek, to ascertain my suspicions? |
|
|
Vergilius |
Sounds like you've got enough energy to flap your gums. |
|
|
DON QUIXOTE |
Ooh…! What biting words! Forsooth, our very own Color has arrived indeed…! |
| [The battle continues, with Vergilius added as a powerful uncontrollable ally unit.] [After a Wave or two more of Wild Hunt are defeated…] | ||
|
|
RODION |
Why… why are you here? I mean, I'm not saying that you shouldn't be here, but still… |
|
|
Vergilius |
I simply could not bear to walk past this familiar sensation emanating from underneath the manor. |
|
|
Vergilius |
The thick stench of the husks… |
|
|
Vergilius |
… and the terrible wailings. |
|
|
ISHMAEL |
But you… you've never… |
|
|
Vergilius |
… involved myself? No, I haven't. And I shouldn't have. |
|
|
Vergilius |
But it is pointless to waste your time on those whose path has ended. |
|
|
GREGOR |
On those whose path has ended…? You mean the Peccatula? |
|
|
Vergilius |
Yes. |
|
|
Vergilius |
I will handle this 'Wild Hunt' and the Peccatula born from the basement. |
|
|
SINCLAIR |
But… there's literally no end to them. Can you… |
|
|
Vergilius |
Yes. That is why I am handling this. |
| [Blood pooled around the area converges on Vergilius, who Effloresces his E.G.O: a mantle made of blood, and a golden laurel crown stained with blood.] [After chopping through a few more waves of Wild Hunt and Peccatula…] | ||
|
|
FAUST |
……. |
|
|
FAUST |
… Vergilius. |
|
|
Vergilius |
Yes, I am aware. I won't be receiving everything I wanted from the contract. I will have to forgo my avarice, make compromises, or even give up a few clauses. I suppose I'll also be summoned to some bothersome meetings. |
|
|
Vergilius |
Yet I was compelled to come here nonetheless. |
|
|
Vergilius |
Ah, so much for my determination to follow the great flow. … But I simply could not permit this stench, this sight to exist any longer. Even if it meant that I must swim against the flow. |
|
|
FAUST |
Very well. |
|
|
HEATHCLIFF |
……. |
|
|
HEATHCLIFF |
Oi, I… |
|
|
HEATHCLIFF |
… I don't do shite like leaving a family behind. |
|
|
HEATHCLIFF |
At least, not… usually… |
|
|
Vergilius |
You are all awfully talkative today. Whatever happened to following orders without questions? |
|
|
Vergilius |
As you can see, I am not so weak that you must concern yourself with my well-being when there are much more pressing concerns. Besides, I know a more effective way of taking care of them. |
|
|
Vergilius |
And… |
|
|
Vergilius |
I once left this weapon in the care of a kid I knew. When I returned, he… who should have returned this weapon to my hands… was no more. This blade was all that remained, abandoned on the ground. |
|
|
RYŌSHŪ |
The Gladius. |
|
|
Vergilius |
My wish is that… |
|
|
Vergilius |
… no one will ever have to understand the meaning of that sight. |
|
|
Vergilius |
Family… |
|
|
Vergilius |
A word I haven't heard in such a long time. What a… blood-drenched word it is. |
|
|
DANTE |
<… Let's leave this to Vergilius. We have to keep moving.> |
| [Victory for the Encounter.] | ||
6-43: The Golden Bough
6-44: Erlking
Pre-Battle
| Speaker | Dialogue | |
|---|---|---|
|
|
Erlking Heathcliff |
…! |
|
|
HEATHCLIFF |
Stop… |
|
|
HEATHCLIFF |
I won't let you get away this time. |
|
|
HEATHCLIFF |
Give my Catherine back, you git. |
|
|
Erlking Heathcliff |
… Even if you were to pursue me, even if you were to grab me… |
|
|
Erlking Heathcliff |
It will change nothing. Catherine has already left you. |
|
|
Erlking Heathcliff |
That is the most undeniable truth, isn't it? Shovel up the soil and exhume her body for all you want. But this is an immutable truth. |
|
|
Erlking Heathcliff |
There she lies, wearing an ineffable, ethereal smile. She always is. |
|
|
HEATHCLIFF |
I know. But I am trying my damnest to change it. So shut up and— |
|
|
Erlking Heathcliff |
Hahaha! Change it? |
|
|
Erlking Heathcliff |
Allow me to relieve you of the struggle. You will suffer, longing for her for as much as eternity permits… Searching for Catherine, who is long gone from this world… |
|
|
Erlking Heathcliff |
… until your heart finds peace. |
|
|
Erlking Heathcliff |
Every strand of despair leads to the same answer. At the end of every path, you will mutter to yourself. |
|
|
Erlking Heathcliff |
That once your repentance is complete, you shall lie beside her in that coffin with your cold, still heart. |
|
|
Erlking Heathcliff |
I merely mean to lift the years of that suffering from your shoulders. Join the other Heathcliffs in their trail of penitence, and I shall grant you the early peace of your heart that you so deserve! |
|
|
HEATHCLIFF |
Sod off! I don't need your shite idea of 'peace'… |
|
|
HEATHCLIFF |
That's… not how I want to find my peace. |
|
|
Erlking Heathcliff |
I wonder if you would say the same thing, even with the revelation that all of this… is exactly what Catherine wanted? |
Post-Battle
| Speaker | Dialogue | |
|---|---|---|
|
|
HEATHCLIFF |
Give Catherine… back. |
|
|
Erlking Heathcliff |
… She is forever lost. Her consciousness is broken, scattered to a thousand places. |
|
|
HEATHCLIFF |
Shut up! You'll have to do much worse to make me give up! |
|
|
Erlking Heathcliff |
Gah…! |
| [Meursault uses his E.G.O., Chains of Others, to bind Erlking Heathcliff.] | ||
|
|
MEURSAULT |
He is bound. I cannot hold him with these chains for much longer; neutralize the target as soon as possible. |
| [Encounter Victory.] | ||
|
|
Nelly |
I'll knock that wretch unconscious! It is one of many lesser-known skills of Butlers to keep their foes neutralized. |
|
|
FAUST |
Dante. Our foremost priority should be… |
|
|
FAUST |
… finding out who it was that showed the Erlking Heathcliff about Heathcliffs and Catherines in every world. The one who opened his eyes to the Mirror Worlds. |
|
|
DANTE |
<… I see now. Faust, you only have the potential to know all things… not the knowledge of all things.> |
|
|
FAUST |
… If that statement pertains to me, then yes. But that is— |
|
|
DANTE |
<I suppose I'll find out when it's your turn. One thing at a time, Faust. Let's think about this from the very start.> |
|
|
FAUST |
Understood. The very first question we must ask is how Catherine suddenly gained a keen interest in studying the Mirror Worlds. Considering that she had led a relatively normal life before Heathcliff's departure, this behavior seems highly irregular. |
|
|
ISHMAEL |
So it's pretty much a given that there was someone acting behind the scenes, egging her on… |
|
|
FAUST |
Indeed. Someone who handed the mirror to Catherine, leading her to create the laboratory. Someone who had to have invited Erlking Heathcliff to this manor. |
|
|
MEURSAULT |
It must be someone close to Catherine. Someone who she heavily relied on. |
|
|
OUTIS |
……. |
|
|
OUTIS |
Executive Manager. If you would allow me to voice a few suspicions. |
|
|
OUTIS |
Do you recall what Nelly said, when we first discovered the Golden Bough in the basement? |
|
|
Nelly |
[Recall.] T-there! Is that the Golden Bough you were looking for…? |
|
|
DANTE |
<Right… she did say that.> |
|
|
OUTIS |
Executive Manager. She couldn't have known that we were actively seeking the Golden Boughs. We never shared that information with her. The only thing she should have known at that stage is what Catherine's will stated: that she was leaving the Golden Bough to Heathcliff. |
|
|
OUTIS |
And… |
|
|
OUTIS |
When we encountered the Dead Rabbits in the corridor… |
|
|
OUTIS |
She claimed that the 'word on the street' is that we must be wary of Dead Rabbits with red eyes, but… as you are well aware yourself, in the 'streets', their eyes would not have had any color. |
|
|
RODION |
Right? She wasn't even at an angle where she could see their eyes. |
|
|
OUTIS |
It can only mean that she was already aware of that fact before we encountered them. |
|
|
DANTE |
<Nelly…> |
|
|
DANTE |
<Don't let Nelly anywhere near Heathcliff…!> |
|
|
Nelly |
Now ascend to the rooftops… Heathcliff. |
|
|
HEATHCLIFF |
… Nelly? Why are you talking to him…? |
|
|
Erlking Heathcliff |
Do you still not understand? |
|
|
Erlking Heathcliff |
It was Nelly who invited me to this manor! |
|
|
Erlking Heathcliff |
She summoned me here, gave me information I needed to utterly destroy that fool Hindley. |
|
|
Erlking Heathcliff |
Oh, and it was Nelly who introduced me to that girl, Isabella. |
|
|
Erlking Heathcliff |
Do not ask me why, for the answer is quite plain. Because we were both tired of enduring! |
|
|
DANTE |
<NO!> |
6-45: Life, Stolen
Pre-Battle
| Speaker | Dialogue | |
|---|---|---|
|
|
HEATHCLIFF |
Nelly… |
|
|
HEATHCLIFF |
You… betrayed me? |
|
|
Nelly |
This manor has never been on your side. Not even once. |
|
|
Nelly |
And Heathcliff, I find it rather vexing that you would use the expression 'betrayal'. |
|
|
HEATHCLIFF |
……. |
|
|
HEATHCLIFF |
Tell me… tell me why. |
|
|
Nelly |
You've really changed, Heathcliff. |
|
|
Nelly |
The old you wouldn't have bothered to ask even a single question before swinging that big club at my skull. |
|
|
HEATHCLIFF |
I'm asking, because it's you! |
|
|
HEATHCLIFF |
Do I really have to destroy… even our childhood? |
|
|
Nelly |
……. |
|
|
Nelly |
Heathcliff… what are you most afraid of? |
|
|
Nelly |
I… wasn't afraid of the ghost that Miss Catherine claimed to have seen. I wasn't afraid of the tempest that sometimes shook this manor. Or how violent Mister Hindley would get when he was drunk. |
|
|
Nelly |
Until one day… I became afraid. |
|
|
Nelly |
I became afraid of an old woman whose heart and body were aged beyond their years. |
|
|
Nelly |
I was that old woman. An old woman who suffered because of you, Heathcliff, and Miss Catherine in every world. |
|
|
Nelly |
Round and round you and Miss Catherine went, both plagued by the hatred, the misunderstandings, the terrible obsessions… |
|
|
Nelly |
And I, in every world, was always dragged under that wheel of destruction, suffering and struggling to my last haggardly breath. Again, and again, and again… |
|
|
Nelly |
The worst thing… |
|
|
Nelly |
… was that all of us were ignorant of our doomed fates. I hadn't even an inkling that the two of you were consuming every minute of my life, little by little. |
|
|
Nelly |
So… I showed it to her, too. |
|
|
Nelly |
I told her that… it was a mirror shard that showed the beholder whatever their heart wished to see. |
|
|
FAUST |
The glass shards can make countless cracks in the hearts of humans. |
|
|
FAUST |
It shakes the very foundation of one's existence. |
|
|
FAUST |
The knowledge of Mirror Worlds can suck the meaning out of every struggle, everything that one has worked for their entire life… |
|
|
FAUST |
… and plants the seeds of doubt in their heart. |
|
|
FAUST |
Doubts about the very path one seeks to take in their life. It's… |
|
|
FAUST |
… enough to make them attempt to meddle with the selves in other worlds. Believing that it is the right thing to do. |
|
|
FAUST |
If someone has shown Nelly that mirror… then that must have been precisely their intended outcome. |
|
|
YI SANG |
… Yet, a mirror technology that allows for such high degree of interactivity must be… |
|
|
Nelly |
Then… everything began to unravel all on its own. |
|
|
Nelly |
She conversed with someone on the other end of the mirror for a long time. Someone who was suffering as much as she was. |
|
|
Nelly |
Then the laboratory began to take shape. |
|
|
Nelly |
Oh, she mustn't have known even in her wildest dreams. She never once doubted me, even as she closed her eyes forevermore in that coffin! As naive as any other sheltered child, a caged bird. |
|
|
Nelly |
I suppose it wasn't only naïveté, but also her own temperament. She was the kind of person who always had to be the center of everything. |
|
|
HEATHCLIFF |
……. |
|
|
Nelly |
But please, do not deny every memory we've shared together. |
|
|
Nelly |
The pity I felt for you as they abused you, wishing that you would live your best life, a life better than anyone else's… were all my honest feelings. |
Post-Battle
6-46: Expression of Love
6-47: Hearts Unbroken
6-48: Every World
Pre-Battle
Mid-Battle
| Speaker | Dialogue | |
|---|---|---|
| Phase 1 | ||
| [The Golden Bough brings color back to the Manor. Erlking Heathcliff reaches out to Every Catherine, despite the distance. Every Catherine does the same in return. The world around them both begins to glitch out between the storms.] | ||
|
|
Erlking Heathcliff |
Where are you…? Come to my embrace, Catherine! |
|
|
Every Catherine |
Heathcliff! |
|
|
Erlking Heathcliff |
Where… where are… I can hear your voice. Oh, please… |
| [Erlking Heathcliff readies his blade against the Sinners.] | ||
| Phase 2 | ||
| [Heathcliff and Erlking Heathcliff rush towards each other before clashing. The screen cracks into purple shards before turning white and then shattering. Every Catherine then appears in Erlking Heathcliff's place with a despairing cry.] | ||
| Phase 3 | ||
| [Heathcliff dodges the Left Hand before countering the Right Hand. Before he can reach Every Catherine, the screen crack into white shards before turning purple and then shattering. Erlking Heathcliff bats away Heathcliff before calling his steed to battle.] | ||
|
|
Erlking Heathcliff |
May you wake in torment, my dear Catherine. |
| Phase 4 | ||
| [Heathcliff and Erlking Heathcliff rush towards each other before clashing. The screen once again transitions back to Every Catherine, with the background now glitching to a multitude of different worlds.] | ||
| Phase 5 | ||
| [Heathcliff once again deflects the Hands. Before he can reach Catherine, the battle transitions back to Erlking Heathcliff.] | ||
|
|
Erlking Heathcliff |
Please, Catherine. Appear before me and tear me asunder. Let me see your eyes as I expire.
|
| [After defeating Erlking Heathcliff or spending enough time in this phase…] [Heathcliff in his E.G.O, Bodysack and Erlking Heathcliff rush towards each other before clashing one last time. Erlking Heathcliff is thrown off his steed and stops back at the Golden Bough.] | ||
|
|
Erlking Heathcliff |
No repose shall await us. |
| [The Golden Bough's light fills up the screen.] | ||
Post-Battle
Story Chapters
| |||
|---|---|---|---|
| Main Story | |||
| Detour Tales | Intervallos | ||
| Mini Episodes | |||